News & Media

Eminence Speaker LLC Offers the Ultimate Loudspeaker Protection to Pro Audio and MI Markets

June 6,2011

Eminence Speaker LLC proudly announces an exclusive license agreement with Evenstar, a wholly owned subsidiary of SLS Audio, to use and sub-license their revolutionary new D-fend™ technology within the Professional Audio and Musical Instrument markets.

D-fend protection circuitD-fend™ is the industry’s first all-digital, programmable loudspeaker protection and attenuation circuit designed to solve the age-old problems associated with protecting loudspeakers from excessive power conditions. D-fend™ has eliminated the headaches for speaker engineers – no more hassling with polyswitches, blown lamp filaments, lossy resistors, or slow relays. Incorporating such features as digital signal processing with on-board digital filtering, customizable microprocessor and MOSFET construction, the D-fend™ protection circuit enables a designer to use this technology prior to passive filtration and allows different sensitivity settings in specific frequency bands, such as woofer over-excursion bands or high frequency peak damage regions.

“Think of the D-fend circuit as a high power, speaker-level compressor/limiter that will allow an audio designer to guarantee unmatched levels of protection for multiple components in their unpowered loudspeakers”, states Evenstar’s Chief Engineer, Joel Butler.

“We’re are very excited about the unique opportunity to partner with Evenstar to offer our customers the ultimate in loudspeaker protection.” said Eminence President Chris Rose. “Not even the most carefully designed systems have been free of failure and the risk of thermal compromises in today’s varied applications. By incorporating D-fend in their products, system designers, brand owners and facilities will enjoy a new level of assurance that their passive loudspeaker systems will remain protected and that venues will be safer. The technology is economical and easy to integrate into both new and existing designs. We expect it will become an industry standard protection device for virtually all passive professional audio and musical instrument applications.”

See the D-fend™ technology in action at the Eminence InfoComm booth #164 in Orlando, Florida June 15 – 17, 2011, or contact Josh Martin, Technology Sales Manager, at 502.845.5622 ext. 245, or via e-mail to josh.martin@eminence.com for more information.

Speaker Break-in

Tech Talk With Big Tony June 1,2011

Speaker break-in is no myth and something significant really does happen. All speakers are built to meet certain specifications, and we work diligently through QC efforts during and after production to ensure that happens. Every component used in a speaker has tolerances, which can relate to small variances in initial performance. The mechanical properties of a speaker are slightly modified once a speaker is put into service, and the tone is affected by these changes. Speaker break-in is a natural process that is influenced by how much you use the speaker and how loud you play it. Think of a new pair of shoes. They are not most comfortable right out of the box. They feel best after you have worn them for a while, softened up, and formed to your feet. Much like your new pair of shoes, new speakers need time to “break in”, and will not sound best until they do.

The components making up the speaker’s suspension are primarily what changes during break-in. These components are the spider (lower suspension) and the cone surround (upper suspension). As the speaker is used, the spider and cone surround begin losing some of their initial stiffness. The sonic results you will hear are an increase in overall warmth, slightly deeper/fatter lows, and warmer/smoother highs. Subtle changes will continue throughout the life cycle of the speaker, but the most noticeable amount occurs in the early stages of use.

The duration of time required to achieve break-in will vary between speakers. Your environment can affect speaker break-in as well. It may take longer in a cold, dry climate versus a hotter, more humid environment. Again, your usage and volume will also affect break-in time. There are several methods people use to speed up the process, but these methods can be damaging to the speaker and are not recommended. The best method is to simply play your new speaker at normal to high volume as frequently as possible. You may even find it is fun and enlightening to experience the changes in your speaker as it breaks in!

Guitar World’s Paul Riario reviews the ReignMaker with FDM™ Technology

May 11,2011

Guitar World Tech Editor Paul Riario puts the ReignMaker guitar speaker with FDM™ Technology through its paces. Of course, the speaker sounds incredible, but Paul has some serious chops too!

ReignMakerPaul points out the advantage of our proprietary FDM™ Technology, noting that there is no need for any expensive electronic attenuators. The speaker does it all for you, and also give you the sound and feel of playing a cranked-up amp but at lower volume. He also clearly illustrates there are many positions between full-output and max-attenuation that let you dial in the sound and volume you’re looking for. Whether you’re in a small club, recording studio, or practicing in your bedroom, you can turn down the volume while maintaining the saturated tube tone you’re looking for. The next night you might be in a larger venue where volume isn’t an issue. No problem, just turn the dial and crank it up!

Paul enjoyed checking out the British-voiced ReignMaker from our Red Coat Series of guitar speakers, and we know you will too. Also check out its American-voiced cousin, the Maverick, also with this truly unique FDM™ technology. Both speakers are now available in 16 ohms.

Eminence Speaker LLC Gives Pedal Steel Players Something to Cheer About.

May 9,2011

Eminence, KY – Eminence Speaker LLC proudly announces the addition of an ultra-lightweight 15” guitar speaker designed for the steel guitar player: the EPS-15C.

EPS-15CNow available in the Patriot™ Series of guitar speakers, the EPS-15C is a 4 ohm, cast-aluminum frame guitar driver featuring a lightweight neodymium magnet. Weighing in at less than 8 lbs., the EPS-15C delivers the highly sought after classic pedal steel tones at a fraction of the weight of most suitable drivers on the market. The addition of an aluminum dust cap lends chimey, extended highs that have come to define the classic pedal steel sound.

“We’re delighted to offer a solution to our pedal and lap steel friends who have been telling us they desperately need to lighten the load without sacrificing tone.” said Tom James, Product Design Manager at Eminence. “Aside from the significant weight savings, the EPS-15C has all the classic Nashville tones steel players look for in a speaker.”

Check out the EPS-15C here. For more information on the EPS-15C or any other Eminence products, please contact Gary Morrison, Distribution Sales Manager, at (502)845-5622 ext. 225, or via e-mail at gary.morrison@eminence.com

Expanding Accessory Items Can Increase Your Bottom Line

Good News for Dealers May 5,2011

The following article was written by Chris Rose for The Music & Sound Retailer, January 2010.

Over the past 10 years, I’ve had the opportunity to visit some of the world’s most successful and high profile retailers of musical instrument and professional audio products to try to sell them on the notion of stocking and promoting the sale of replacement and upgrade loudspeakers.

The first conversation is nearly always the same. I begin my sales pitch on our brand of loudspeakers, and the manager or owner quickly says, “We don’t really sell any loudspeakers here. Sometimes the service center orders in a few for repairs, but we don’t get many calls for that.” I always wonder where that owner or manager thinks that the consumer is going to find a replacement or upgrade speaker. Chances are, he/she is a musician himself, and he/she’s blown several speakers over the years. He/she has also probably traded in or retired good gear because of a speaker failure or because he/she didn’t like the tone or performance of a product he/she owned. Didn’t he/she realize there was a cheaper and easier way to solve those issues?

The number of amplifiers and speaker cabinets manufactured each year is staggering. Each of them includes one or more loudspeakers. For most of those products, the loudspeaker is the most expensive component, and manufacturers are often forced to make compromises on the speaker to remain competitive. The result can be a product that is just OK, but would otherwise be fantastic with the right choice of loudspeaker. Further, speakers are generally made from paper and cloth components that are ultimately somewhat delicate and can degrade over time with use and exposure.

I’ve been fortunate to have an insider’s view on the number of loudspeakers produced for MI and PA audio products. I can safely say that it exceeds 10,000 units daily. The numbers for replacements and upgrades sold to distributors and dealers in the U.S.A. alone are equally compelling. Although we don’t have access to all the data, it is fair to say that U.S. consumers spend in excess of $15 million yearly on such purchases. This is amazing considering the fact that consumers can’t generally find them in their favorite music store!

Sales of guitars, amplifiers, keyboards, and speaker cabinets have all suffered significant declines recently. Entertainment is alive and well though! Nightclubs and casinos are still open. Worship services continue. Artists are still performing. Children and adults are still interested in learning how to play an instrument. All of these venues and individuals still endeavor to keep their music instruments and equipment in the best possible repair. All the while, dealers and distributors struggle to find new ways to get a fair share of the business that remains.

Today’s consumer is smart. Anytime we need something we can’t find locally, we just Google it. All of us would rather go down the street and buy it, but if we can’t find it at home, we’ll buy it online. If it is something technical in nature, we often need advice. If we can’t find that locally, we can usually find it online, too!

Recently, I drove 25 miles to the closest (Radio) “Shack” to find an amplifier to drive passive speakers from my computer. After searching the store to no avail, I reluctantly decided to ask one of the two employees there. I hated to interrupt their conversation regarding a “stupid” boyfriend, but decided that the storeowner would appreciate it if I did. One immediately deferred to the other, who was quick to admit that she didn’t have a clue what I was talking about. I went home, did a quick Google search, and had an amplifier ordered within 10 minutes. I should have never left the couch. Consumers tell us every day about similar encounters they’ve had in music stores regarding loudspeakers.

Loudspeakers are an incredible accessory item for any music store! The poor economy and the consumer’s desire to maintain or upgrade their equipment, rather than buying new, makes it even more important and lucrative to consider. For the cost of a couple of keyboards or amplifiers, any dealer can obtain a nice stock of well regarded replacement and upgrade loudspeakers for musical instrument amplifiers or speaker cabinets. Don’t waste your time though if the plan is to put them on a shelf in the service center. If you kept strings and tuners back there, you wouldn’t sell many of them either.

Replacement and upgrade speakers need to be on the store floor, close to checkout, just like any other accessory. They won’t sell if they are not there where people can see them. Most speaker manufacturers have nice packaging, catalogs, banners, application tools, and technical service departments standing by to help you make recommendations to your customers.

As with all viable accessory items, dealers can enjoy significant margins. Those that creatively display loudspeakers and work with manufacturers to provide application solutions for consumers often enjoy thousands of dollars in additional sales volume. What’s more, sales of loudspeakers are a new segment of the market for most dealers…a segment that tends to flourish when sales of other products are down. They also provide dealers an option for consumers who just can’t financially swing a new amplifier or new monitor, or new pair of speakers.

High Frequency Driver Power Handling

Tech Talk With Big Tony May 5,2011

You may need less power handling from your high frequency driver than you might expect! High frequency drivers will only see a small percentage of system power, if a proper crossover network is used. The woofer section sees the brunt of the power in a system, because lower frequencies are more abusive. A lower crossover point is more abusive on the high frequency driver. As a general rule of thumb, we estimate that the high frequency driver will see about 20% of the system power with a 1.5kHz-2.5kHz crossover, 15% with a 3.5kHz-5kHz crossover, and 10% with a 5kHz and up crossover (all based on a minimum 12dB/octave slope). So, for a 400 watt system with a 1.6khz crossover, you may only need an 80 watt high frequency driver. Plus, high frequency drivers are typically much more efficient than woofers. You must attenuate the high frequency driver to more closely match the output of the woofer. For every 3dB of output that is attenuated, the power is cut in half. If you attenuate the 80 watt high frequency driver 6dB in the example above, you would only need a 20 watt high frequency driver for the 400 watt system.

Eminence Speaker LLC Appoints Josh Martin to the New Role of Technology Sales Manager.

March 10,2011

Eminence, KY – Eminence Speaker LLC is pleased to announce Josh Martin has been promoted to the new role of Technology Sales Manager.

In this new role, Martin will be responsible for the market development and sale of a revolutionary new technology called D-FEND™, which provides programmable control over key performance characteristics of passive systems and loudspeakers.

Josh Martin“We are very excited about this amazing technology, and we are equally excited to have Josh join our dynamic sales team and oversee its development.” said company President Chris Rose. “Josh has many years of experience as a gigging musician, and is well versed in the management and use of audio systems. That coupled with his impeccable integrity, leadership skills, and his attention to detail make him the ideal candidate for this position.”

“I’m thrilled to be moving up within such a great company, and I’m confident in the success we’ll have introducing the D-FEND technology.” said Martin. “It’s truly innovative, revolutionary, and solves major problems with passive systems and loudspeakers. I look forward to seeing it flourish within the industry.”

Prior to his promotion, Martin held several key positions with Eminence which have helped him develop a full understanding of critical aspects of the loudspeaker manufacturing process, become familiar with pro audio and MI manufacturers, and customers, and their respective needs.

Pete Anderson talks about his favorite speaker, the Cannabis Rex.

February 16,2011

Pete AndersonWhat I wanted to talk to you briefly about today was the Cannabis Rex speaker, being made by Eminence. It’s the non-smokable version. So I don’t want you to think that if you get into a bind you can roll up your speaker and smoke it. But it does sound odd, and it sounded odd to me many years ago when people were talking about hemp and things of that nature, but I wanted to testify a little bit on this speaker because my career early on was really based on Electro-Voice speakers and a very clean sound when I was playing a lot of country music, and I’ve switched over to a little bit more browner sound, a lot more blues and using a different instrument, my signature guitar by Reverend. Just a different sound for me, and I tried out these speakers.

Cannabis RexCobi Stein sent one over for me to try out and I A/B’d it with some other stuff I was using. And I must say I was really impressed. Most of the time, my thing is you really don’t want to notice the speaker, that was my mode of operation. And if you do notice it, you should notice it in a good way and not in a bad way. Most of the time, in my case, I would notice a speaker in a bad way and not like it. And hence the EV’s were like a clear window to the public.

But this speaker has been an amazing adjustment for me in listening to speakers and how they respond and react. And I must say, from the speaker that was in this before which will go unnamed, the response this speaker seems to have, the only way I can describe it is that from ground-zero, the bottom of the tone to the top of the tone is just a complete and even climb to where the tone dies off at the top. So there’s no spike, there’s no bump of any kind that I perceive in these speakers, for me. And that was the biggest difference. So it was like actually a controllable window that I enjoyed, having my sound flow through to the public and to the listener. So it’s just a pleasing, kind of a clear speaker that doesn’t color your sound, doesn’t hype your sound, but anything that it would add to the sound, it seemed to be very even and responsive.

“Cannabis! Don’t smoke it, play it!”

Check out Pete at the following links:

www.eminence.com/artists/pete-anderson/
www.youtube.com/user/guitardog8
www.peteanderson.com/
www.littledogrecords.com/home/

Billy Penn Reviews the Eminence Ragin Cajun

February 10,2011

This is an excerpt from Billy Penn’s review. Read the full review at 300Guitars.com.

The Eminence Ragin Cajun is an excellent choice if you have a small 1×10” amp that you want to get the absolute most out of or multi 10” configuration that needs a lift. It will transform a dull, seemingly lifeless amp into an open sounding dynamo! I now really wonder what a pair or a quad of Ragin Cajun’s would sound like……probably enormous with even more of a good thing.

Loud, clear and focused with articulate highs, warm mids and a really nice bottom for a 10” speaker. If you install a Ragin Cajun in your amp you will be heard is all I can say! This little guy is not shy nor will it hang in the background.

The transformation of my Super Champ was stunning and now I am 100% happy with it at home and on a live gig. I can only imagine how good it would sound in the studio. The Ragin Cajun totally opened up the amps voice and made that little 18 watt amp completely gig worthy. The overall feel of the amp improved because the speaker is so much more dynamic than the stock unit. Blackface or silverface Fender amps will love the Eminence Rajun Cajun and all that vintage goodness will be enhanced. The Ragin Cajun is another Eminence winner in my opinion that has found a home in another one of my amps!

Dave Sheldon on Guitar Cab Mic Placement

February 8,2011

Exes for Eyes guitarist, Dave Sheldon, discusses the 5 most popular methods for mic’ing a guitar cabinet. Dave used the Eminence Legend V128 for this video.

Learn more about Dave and Exes for Eyes at the following links:
www.myspace.com/ExesForEyesMusic
www.myspace.com/DaveSheldonProductions
www.presonus.com/artists/professional-users/Detail.aspx?artistID=162
www.youtube.com/ExesForEyesMusic